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abstract image; thin arcing forms with wider central form, with Native American motifs; light blue elements at center, left center and bottom center

%C2%A9 Alex Janvier

Yellow Feather, 1975

Alex Janvier; Printer: Great Western Canadian Screen Shop, Winnepeg, Manitoba, Canada

G261

Screenprint bleed torn on four edges depicting figures, horses, trees, text, and abstracted indigenous masks in a landscape.

Copyright %C2%A9 Andrea Carlson%2C published by Highpoint Editions

Anti-Retro, 2018

Andrea Carlson; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G260

Screenprint torn on four edges to create a bleed image depicting Mound Man (a humanoid effigy earthwork in Wisconsin), trail marker trees, Mississippian mica hand/talon objects, hands signing Exit, and text in a landscape.

Copyright %C2%A9 Andrea Carlson%2C published by Highpoint Editions

Exit, 2019

Andrea Carlson; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G260

folded sheet of paper, with the title "LEARNING TO THINK AND WORK TOGETHER" and text on back side; colorful image on the front with a group of figures with skin color rendered in red pigment; central figure rendered in dark brown pigment; blue background with the suggestion of a crowd of figures behind front group; red upper half with black outline of two hands locked in a hand shake

%C2%A9 Estate of Hugo Gellert

Learning to Think and Work Together, 1943

Hugo Gellert

G304

Screenprint with applied bronze, silver, and pearl foils in 25 colors from stencils produced using drawings made by the artist referencing Lakota dentalium yoked dresses. The dress color is predominately red and is one of four related works from the artist's "Take Care of Them" suite.

Copyright %C2%A9 Dyani White Hawk%2C published by Highpoint Editions

Wačháŋtognaka | Nurture, 2019

Dyani White Hawk; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G303

Screenprint with applied gold foil in 14 colors from stencils produced using drawings made by the artist referencing Lakota dentalium yoked dresses. The dress color is predominantly blue and is one of four related works from the artist's "Takes Care of Them" suite.

Copyright %C2%A9 Dyani White Hawk%2C published by Highpoint Editions

Wówahokuŋkiya | Lead, 2019

Dyani White Hawk; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G303

Screenprint with applied bronze foil in 18 colors from stencils produced using drawings made by the artist referencing Lakota dentalium yoked dresses. The dress color is predominantly green and is one of four related works from the artist's "Takes Care of Them" suite.

Copyright %C2%A9 Dyani White Hawk%2C published by Highpoint Editions

Nakíčižiŋ | Protect, 2019

Dyani White Hawk; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G303

Screenprint with applied copper foil in 20 colors from stencils produced using drawings made by the artist referencing Lakota dentalium yoked dresses. The dress color is predominately gold and is one of four related works from the artist's "Takes Care of Them" suite.

Copyright %C2%A9 Dyani White Hawk%2C published by Highpoint Editions

Wókaǧe | Create, 2019

Dyani White Hawk; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G303

Copyright of the artist%2C artist%27s estate%2C or assignees

Grooming the Steed, c. 1935

Cameron Booth

Not on View

%C2%A9 Sandra Kraskin

Amish Intersection, 1976

Sandra Kraskin

Not on View
Suite of 10 color screenprints; background color: pink; flower color clockwise direction: yellow, orange, blue

%C2%A9 The Andy Warhol Foundation for the Visual Arts%2C Inc. %2F Artists Rights Society %28ARS%29%2C New York

Flowers, 1970

Andy Warhol; Publisher: Factory Additions, New York; Printer: Aetna Silkscreen Products, New York

Not on View
Suite of 10 color screenprints; background color: pink; flower color clockwise direction: yellow, orange, blue

%C2%A9 The Andy Warhol Foundation for the Visual Arts%2C Inc. %2F Artists Rights Society %28ARS%29%2C New York

Flowers, 1970

Andy Warhol; Publisher: Factory Additions, New York; Printer: Aetna Silkscreen Products, New York

Not on View
From suite of 10 color screenprints

%C2%A9 The Andy Warhol Foundation for the Visual Arts%2C Inc. %2F Artists Rights Society %28ARS%29%2C New York

Mao, 1972

Andy Warhol

Not on View

%C2%A9 Jim Dine %2F Artists Rights Society %28ARS%29%2C New York

Peaches, 1969, 1973

Jim Dine; Printer: Styria Studio, New York; Publisher: Experiments in Art and Technology, Inc. (E.A.T.), New York

Not on View
Suite of 10 color screenprints; background color: pink; flower color clockwise direction: yellow, orange, blue

%C2%A9 The Andy Warhol Foundation for the Visual Arts%2C Inc. %2F Artists Rights Society %28ARS%29%2C New York

Flowers, 1970

Andy Warhol; Publisher: Factory Additions, New York; Printer: Aetna Silkscreen Products, New York

Not on View
From suite of 10 color screenprints

%C2%A9 The Andy Warhol Foundation for the Visual Arts%2C Inc. %2F Artists Rights Society %28ARS%29%2C New York

Mao, 1972

Andy Warhol

Not on View
From suite of 10 color screenprints

%C2%A9 The Andy Warhol Foundation for the Visual Arts%2C Inc. %2F Artists Rights Society %28ARS%29%2C New York

Mao, 1972

Andy Warhol

Not on View
Suite of 10 color screenprints; background color: pink; flower color clockwise direction: yellow, orange, blue

%C2%A9 The Andy Warhol Foundation for the Visual Arts%2C Inc. %2F Artists Rights Society %28ARS%29%2C New York

Flowers, 1970

Andy Warhol; Publisher: Factory Additions, New York; Printer: Aetna Silkscreen Products, New York

Not on View
From suite of 10 color screenprints

%C2%A9 The Andy Warhol Foundation for the Visual Arts%2C Inc. %2F Artists Rights Society %28ARS%29%2C New York

Mao, 1972

Andy Warhol

Not on View

%C2%A9 Ed O%27Connell

Totem, 1966

Ed O'Connell

Not on View

%C2%A9 Clayton Pond %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

The Other Chair, 1965

Clayton Pond; Printer: Clayton Pond; Publisher: Clayton Pond

Not on View
black and blue abstract on white background

Robert Wogensky. 8 novembre-4 décembre 1972, 1972

Maison de la culture d'Amiens, Amiens, France

Not on View
Image of a man's face on dark gray background; text at in black and gold ink

Black, Beautiful, c. 1968

Unknown , 20th century; Printer: Shohar Printhouse, Beit Herut, Israel

Not on View
black tree-like form at center with gray and red background

Jean Couy. 28 janvier - 3 mars 1972, 1972

Galerie at Home, Toulouse, France

Not on View
reclining woman with long black hair, wearing a gold and black robe, with a book on her lap and a blue bird on her PR shoulder; black at at right

%C2%A9 Estate Will Barnet %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Aurora, 1977

Will Barnet; Printer: Fine Creations, Inc., New York

Not on View
four squares on top of each other, in shades of yellow

%C2%A9 The Josef and Anni Albers Foundation %2F Artists Rights Society %28ARS%29%2C New York

GB 1, 1969

Josef Albers; Printer: Sirocco Screenprints, North Haven, Conn.; Publisher: Ives-Sillman, Inc. , for Galerie Brusberg, Hanover, Germany

Not on View
three squares on top of one another--grey, tan and orange, from outside in

%C2%A9 The Josef and Anni Albers Foundation %2F Artists Rights Society %28ARS%29%2C New York

FGa, 1968

Josef Albers; Printer: Sirocco Screenprints, North Haven, Conn.; Publisher: Ives-Sillman, Inc. , for Richard Feigen Graphics, New York

Not on View
cream-colored paper; globe sits atop stand with black ribbon across bottom of globe; decorative floral element at bottom; tan, yellow, grey, brown and black ink; behind Plexiglas in blonde wood frame

%C2%A9 Ross Bleckner. All rights reserved.

Untitled (Sphere and Moulding), 1987

Ross Bleckner; Publisher: Lincoln Center for the Performing Arts, New York

Not on View
vertical geometric bands--diamonds connected with lines; black, grey and white; grey borders at right and left, red lower border, black upper border; light grey paper

%C2%A9 James Siena

Double Recursive Combs, Boustrophedonic, 2005

James Siena; Printer: Lower East Side Printshop, New York; Publisher: Lower East Side Printshop, New York

Not on View
portrait of the artist James Siena wearing a blue shirt, with a serious facial expression, made up of chevrons, rectangles, and diamonds filled with smaller organic shapes of various colors

%C2%A9 Chuck Close%2C courtesy PaceWildenstein%2C New York

James, 2004

Chuck Close; Publisher: Pace Editions, New York; Printer: Brand X Editions, New York

Not on View
three panels, each with a square tower; each tower slightly different with different number and placement of windows, different archways at base of tower; colors primarily dark red, black and a grayish bluewith white accents

%C2%A9 John Piper %2F Artists Rights Society %28ARS%29%2C New York

Three Somerset Towers, 1973

John Piper; Printer: Kelpra Studio, Ltd., London; Publisher: Marlborough Fine Art Ltd., London

Not on View
black silhouette of saxophone player against blue background; black metal frame

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

Third Kind of Blue, 1987

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
black geometric shapes, triangles and squares with cutouts, on white background; black metal frame

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

New N.Y. Jazz, 1987

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
red and green skyscrapers with yellow saxophones in front

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

29th Street Saxophone Quartet, 1986

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
yellow and blue abstracted figure playing horn (?)

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

Bob Stewart Group, 1987

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
red and green skyscrapers with yellow saxophones in front; silver metal frame

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

29th Street Saxophone Quartet, 1986

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
black silhouette of saxophone player with squiggly lines on left side of body; on white background; silver metal frame

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

Jazzplakate Von Niklaus Troxler, 1986

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
red, yellow and green abstracted hands and instruments of musicians

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

Hermeto Pascoal e Grupo, 1985

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
abstracted music note in yellow, green, white and salmon against blue background; silver metal frame

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

Jazz Festival Willisau, 1987

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
hot pink, yellow, green, maroon and white saxophone player; white metal frame

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

Jazz Festival Willisau, 1983

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
white line drawings of instruments and abstract shapes against green background; silver metal frame

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

Jazz Festival Willisau 86, Volksmusig und Jazz, 1986

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
alternating yellow and blue text that overlaps; silver metal frame

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

McCoy Tyner Sextet, 1980

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
top half is red silhouette of saxophone player on blue; bottom half is blue silhouette of drummer on red; silver metal frame

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

Sunny Murray/ David Murray, 1986

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
black line drawing of downtown area with skyscrapers with yellow saxophones; black metal frame

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

Arthur Blythe Quartet, 1982

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
text with blue, green, yellow, red and black illustration of toucan and face of person with open mouth within text; silver metal frame

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

Tania Maria, 1988

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
blue geometric shapes against yellow background; three musicians at bottom; silver metal frame

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

A Little Westbrook Music, 1988

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
American flag with song notes in place of stars; on black background with red along L edge and in UR and LR corners; black metal frame

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

Carmen McRae Songbook, 1988

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
red, blue and yellow squiggles as notes on white background; black metal frame

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

Roscoe Mitchell Quartet, 1981

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
black silhouette of saxophone player against blue background; black metal frame

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

Third Kind of Blue, 1987

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
purple, red and green abstract line drawing on white background; silver metal frame

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

Astor Piazzolla y su Quinteto, 1986

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
very light colors--pale blue, green, yellow; overall repeating pattern of lined right-angle triangles forming geometric design with pale blue-grey border around design

%C2%A9 Estate Barry Kahn

Lemon Blue, 1976

Barry Kahn

Not on View
mid-sized navy blue and peach colored polka-dots on white background in alternating grid pattern

%C2%A9 John Armleder

Divisions, 2016

John Armleder

Not on View
abstract image; printed in five colors--red, black, blue, green, yellow; predominately red; curving and loosely geometric forms; painterly style

%C2%A9 A.R. Penck %2F Artists Rights Society %28ARS%29%2C New York

The Weak Point, from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler); Printer: Burston Graphic Center, Jerusalem

Not on View
abstract image; printed in two colors--purple and black; black ground; geometric purple form with purple triangle in ULC; black circles, lines, S-curve, zigzags on top of purple form

%C2%A9 A.R. Penck %2F Artists Rights Society %28ARS%29%2C New York

The Opposition Wants to Overthrow the Government, from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler); Printer: Burston Graphic Center, Jerusalem

Not on View
mid-sized pink polka-dots against white background

%C2%A9 John Armleder

End of Line, 2016

John Armleder

Not on View
bright orange ground with squares filled with dark blue dots

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Untitled [Abstract image with dots and squares], 1969

Victor Vasarely

Not on View
landscape with palm trees at right; water at center; black fence, LLC; clouds in ULQ

After Rain, Hilo, 1949

Byron Randall

Not on View
A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Yellow/Orange, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Red/Orange, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Blue/Orange, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Yellow/Purple, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Red/Purple, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Blue/Purple, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Yellow/Green, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Red/Green, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Blue/Green, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
One print of eight from the suite "The Virgins." A two-color screenprint of a light orange iron shape on an orange background.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Virgin of Creativity (ascending), 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
One print of eight from the suite "The Virgins." A two-color screenprint of an orange iron shape on a light orange background.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Virgin of Creativity (descending), 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
One print of eight from the suite "The Virgins." A two-color screenprint of a light red iron shape on a red background.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Virgin of Desire (ascending), 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
One print of eight from the suite "The Virgins." A two-color screenprint of a red iron shape on a light red background.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Virgin of Desire (descending), 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
One print of eight from the suite "The Virgins." A two-color screenprint of a light green iron shape on a green background.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Virgin of Healing (ascending), 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
One print of eight from the suite "The Virgins." A two-color screenprint of a green iron shape printed on a lighter green background.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Virgin of Healing (descending), 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
One print of eight from the suite "The Virgins." A two-color screenprint of a light fuchsia iron shape on a fuchsia background.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Virgin of Renunciation (ascending), 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
One print of eight from the suite "The Virgins." A two-color screenprint of a fuchsia iron shape on a light fuchsia background.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Virgin of Renunciation (descending), 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A four run two-color screenprint of a white iron shape on a gray field on the left side and a gray iron shape on a white background on the right.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Virgin of Enlightenment (ascending/descending), 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A four run two-color screenprint of a light blue iron shape on a blue field on the left side and a blue iron shape on a light blue field on the right.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Virgin of Wisdom (ascending/descending), 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

%C2%A9 Elizabeth Olds

Merry-Go-Round, 1940

Elizabeth Olds

Not on View
white paper; organic shapes and lines fill sheet; lower half of sheet in blues and teals, upper half in greens, URQ yellow; three large black organic shapes horizontally across sheet above center; pink line on R edge of sheet; behind Plexiglas in white wood frame

%C2%A9 Estate of Helen Frankenthaler %2F Artists Rights Society %28ARS%29%2C NY

West Wind, 1997

Helen Frankenthaler; Printer: Brand X Editions, New York; Publisher: The Paris Review, New York

Not on View
Eleven-color screenprint bleed printed with visually irregular borders. The image includes drawings and marks by the artist made on Denril, overhead projector film and Rubylith film, and a halftoned image manipulated by the artist. It is signed and dated 2011 by the artist in pencil on the border and in the image in ink 2010.

Copyright %C2%A9 Carter%2C published by Highpoint Editions

Continuous, 2011

Carter; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Multi-color screenprint with photographic halftone images altered by the artist; figurative elements and layered drawing by the artist printed in flat inks and overprint varnish in select areas.

Copyright %C2%A9 Carter%2C published by Highpoint Editions

Forthcoming, 2011

Carter; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Screenprint based on the cover of "The Forest" from the "Nature Library" series published by TIME-LIFE BOOKS. The book cover was scanned, manipulated by the artist removing the original 'knocked-out' text and red text box, separated and printed in C/M/Y/K, and a clear satin was printed over the image. The text box was recreated and printed in red. The text was recreated in a font style similar to the original and printed in white ink.

Copyright %C2%A9 Mungo Thomson%2C published by Highpoint Editions

The Forest, 2015

Mungo Thomson; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Screenprint in 19 layers and 40 colors of a twin peaked mountain (Mount Rainer) predominately printed in blended transparent purples and blacks.

Copyright %C2%A9 Cameron Martin%2C published by Highpoint Editions

Conflation, 2006

Cameron Martin; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
black block text on gray background

Keep the Faith Baby, 1967

David Nordahl; Publisher: Pandora Productions

Not on View
at L, a round, gray patterned pot decorated with yellow lilies, filled with sunflowers, white lilies and dark red flowers sitting on table; at R, rising from behind table are yellow and orange irises/lilies with leaves and stems; table just visible in LL corner, with red tablecloth decorated with blue floral pattern

%C2%A9 Estate of Jack Beal %2F George Adams Gallery

Buds, 1975

Jack Beal

Not on View
orange text at top on black background; circle with black bottom and black and orange patterned top on bottom, with orange background

The World Cannot Continue to Wage War like Physical Giants and to Seek Peace like Intellectual Pygmies, 1969

Unknown

Not on View
urban scene in colorful pigments; orange buildings on R; park scene with blossoming trees in B; red blocks in rows in LRQ; blue sky in background; road/ street in C

Viaduct Park Print, 2013

Sarah McEneaney

Not on View
abstract image; printed in five colors--black, orange, red, purple and blue; black form at center extending outward; some blue spots around center; curving forms; painterly style

%C2%A9 A.R. Penck %2F Artists Rights Society %28ARS%29%2C New York

The Strong Point, from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler); Printer: Burston Graphic Center, Jerusalem

Not on View
psychedelic-style portrait of African American political activist Angela Davis; colorful image of figure in profile, yelling into microphone; image is formed by words in yellow, red, magenta, purple, orange, and blue

%C2%A9 Wadsworth Jarrell

Revolutionary (Angela Davis), 1972

Wadsworth Jarrell; Publisher: Wadsworth Jarrell

Not on View

%C2%A9 Estate of Lois Mailou Jones

Untitled (Portrait of LĂ©opold SĂ©dar Senghor), 1996

Lois Mailou Jones; Printer: Studio Henrici, New York; Publisher: The Limited Editions Club

Not on View

%C2%A9 Estate of Lois Mailou Jones

Untitled (City in Winter), 1996

Lois Mailou Jones; Printer: Studio Henrici, New York; Publisher: The Limited Editions Club

Not on View
abstracted image with large yellow face with green metallic around eyes and blue lips at L; green radiating ovals at bottom; two horizontal rows of multicolored buildings and blue bands at top; squares and circles of various colors at L; metallic gold linear repeat of same image in ULC in margin

%C2%A9 NAMIDA AG%2C Glarus

Irinaland over the Balkans, 1971-1972

Friedensreich Hundertwasser (Friedrich Strowasser)

Not on View
red outline drawing of nude bald man seated with bulldog in lap; bulldog wears jersey with American flag motif; solid blue background with various hats and shrouds rendered with tabs to look like paper doll cutouts

%C2%A9 May Stevens %2F Courtesy Ryan Lee Gallery

Big Daddy with Hats, 1971

May Stevens

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abstract image; red face at center; red bird head, ULC; white and red face in profile at right center with red sun in URC; cat-like form in LRC; predominately red, peach, and black

La Rose (The Rose), 1986

Herbert Gentry; Printer: Atelje Arte, Malmo, Sweden

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man in red in LRC with a wheelbarrow holding an image of a face in black and white; repeated images of same face in black and yellow in background; red border; "LBJ" in pink in ULC

%C2%A9 Antonio Fern%C3%A1ndez Reboiro

LBJ (Lyndon Baines Johnson), 1968

Antonio Fernández Reboiro; Printer: Instituto Cubano de Arte e Industria Cinematográfico (ICAIC), Havana, Cuba; Publisher: Instituto Cubano de Arte e Industria Cinematográfico (ICAIC), Havana, Cuba

Not on View

%C2%A9 Estate of Ren%C3%A9 Portocarrero

Soy Cuba, 1964

René Portocarrero; Printer: Instituto Cubano de Arte e Industria Cinematográfico (ICAIC), Havana, Cuba; Publisher: Instituto Cubano de Arte e Industria Cinematográfico (ICAIC), Havana, Cuba

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abstract image; thin arcing forms with Native American motifs; light blue arc in URQ; green forms in ULQ and LLC

%C2%A9 Alex Janvier

Turntable Bird, 1975

Alex Janvier; Printer: Great Western Canadian Screen Shop, Winnepeg, Manitoba, Canada

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Abstract design; red, yellow, orange, teal and green; butterfly-like shape; many symbolic elements including eagle and fish; thin lines like streams

%C2%A9 Alex Janvier

Red Eagle, 1975

Alex Janvier; Printer: Great Western Canadian Screen Shop, Winnepeg, Manitoba, Canada

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abstract image; black-and-white vertical painterly marks throughout ground; painterly touches of color--predominately green, red and yellow

%C2%A9 Gerhard Richter - All Rights Reserved

Ice 2, 2003

Gerhard Richter; Printer: Brand X Editions, New York; Publisher: Lincoln Center for the Performing Arts, New York

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Grey Fireworks, 2000

Helen Frankenthaler; Printer: Brand X Editions, New York; Publisher: Lincoln Center for the Performing Arts, New York

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large square sheet with abstract image made up of tiny army men in dark blue, light blue and silver pigments; silver pigments form blobs throughout, juxtaposed over passages dark and light blue; floating mount in a white frame

Untitled (Army Men Camouflage, Blue), 2007

Ryan McGinness; Publisher: Pace Editions, New York

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